Church of RadioShack

video upload by Jean Dear

"Jean Dear got a new Synthesizer, a Realistic Concertmate 660, a potent pairing Realistic Concertmate MG-1.

join us as we remember the shack, the best place at the mall.

Yes, the Americans still have RadioShack, but they left Canada decades ago, and it's just not the same as Tandy era Shack."

"Bring back the Shack."

Hermann Seib Joins Behringer/Music Tribe Wave Synthesizer Development Team

The official announcement:

PPG and its Wave synthesizers have been the brain child of the industry icon Wolfgang Palm and have graced the stages of artists like David Bowie, Jean Michel Jarre, Depeche Mode, Gary Numan, Stevie Nicks, Pet Shop Boys, Mike and the Mechanics, and Stevie Wonder just to name a few.

After the announcement of Behringer and Music Tribe to look for collaboration partners for the development of the next generation Wave hybrid synthesizer, we have been fortunate to gain a legendary engineer to the team – Hermann Seib who has been deeply involved in the PPG Wave history. But hear from the man himself:

About Hermann Seib

“I'm a software programmer/analyst living in Vienna, Austria and have loved playing and creating music throughout all my life. I started playing guitar at age 12 and when the Roland SH-101 became available, I got one and was instantly hooked. But as for most people, there came a point where I had to decide whether I want to become a musician or a programmer. Computers won hands down so I never became a great guitar player and instead I practiced my programming skills instead. These shiny new home computers that just became available were simply too fascinating – and they sustained my life ever since.

PPG and I have a rather long common history. I first saw the original press release for the Waveterm A in 1982 and immediately wanted one. Unfortunately, I also couldn’t afford it as I was at just starting my career.

Around 1987, I was finally able to buy a used Wave 2.2/Waveterm set. Since that time, I have become a fan of these machines and know pretty well how they work. However I'm much more of an engineer than a musician and to me, the Wave synthesizers are "computers with attached tone generation circuits". Around 2000, I started to reverse engineering their operating system, so that I could understand how they work from a computer perspective. It took me quite a while to understand the sound generation side of the things and while I still wouldn't say that I've fully mastered every detail, my understanding was good enough to create an upgrade to the original V6 software. The result was version 8.3, which is a commercially available upgrade.

Around 2000, I became involved with Paula Maddox and Dave Forward in a project called "Waveterm C". The idea was to recreate the Waveterm in a more modern PC running Windows version and use a USB interface to communicate to the Waves/EVUs/PRKs. Well, we got the software side up and running, for which I was responsible for and it worked to a point where you could create wavetables and transient sounds. The USB-based hardware interface worked quite well, too, but unfortunately the project never became mature enough to be launched.

https://www.hermannseib.com/waveterm/

I also created WaveSim, my simulation of the famous Wave/EVU, which was first only as a standalone Windows program and later available as VSTi as well. Wolfgang Palm was aware of these activities for quite a while and in 2008, he contacted me. We exchanged ideas and he helped me understand some details of the Wave synthesizers, which resulted in further WaveSim improvements. Wolfgang then went on to create lots of new, vastly improved wavetables that could be loaded into WaveSim which can be found here.

https://www.hermannseib.com/english/synths/ppg/wavesim.htm#palm

Later in 2012, Wolfgang became interested in porting his PPG WaveGenerator, which was only available as iOS Plugin, to VST and Audio Unit on Windows and Mac OS - a project I was heavily involved in. Subsequently I entered similar collaborations on Wolfgang’s other PlugIn creations such as the PPG Wavemapper 2, PPG Phonem, and PPG Infinite.”

Why did you decide to join the Behringer Wave project?

“My main motivation is to help recreate the Wave to ensure it gets as close as possible to the original, as the legacy and “soul” of this synthesizer is very dear to me. And because it’s blue 🙂. I am very much looking forward to collaborating with the Behringer engineering team and participate in the testing and comparison with the original unit since I have a deep understanding of the original code the makeup of the unit. We’re currently discussing the development of an app for wavetable management. I am very excited to be part of the Behringer Wave synthesizer project to make sure the legacy of this legendary synthesizer will live on.”

Kraftwerk's Florian Schneider Has Passed Away

Some sad news in. Florian Schneider has passed away at the age of 73 due to cancer. As you can see below he was recently active and accessible in the synth community. To say he will be missed is an understatement. It could be said that Florian along with Kraftwerk is directly responsible for bringing the appreciation of synthesizers and electronic music to the masses. His influence is legendary. According to the WhoSampled site, Kraftwerk has been sampled 769 times, covered 180 times, and remixed 56 times.

Via The Guardian

"Florian Schneider, who as one of the founding members of German group Kraftwerk changed the sound of pop music forever, has died aged 73 of cancer.

The news was confirmed to the Guardian by one of his musical collaborators, who said Schneider had died a week ago and had a private burial. It was also confirmed via Sony Berlin.

Born in 1947, Schneider was the son of Paul Schneider-Esbelen, a noted architect who designed Cologne’s airport. Schneider first played music in various groups while studying in Düsseldorf, beginning in a band called Pissoff. Operating in the experimental, open-minded rock scene dubbed “krautrock” in the British press, he formed the group Organisation with Ralf Hutter, the pair later forming Kraftwerk in 1970.

Schneider played the flute, violin and guitar, though often filtered through electronic processing. His interest in electronic music grew. 'I found that the flute was too limiting,' he later said. 'Soon I bought a microphone, then loudspeakers, then an echo, then a synthesiser. Much later I threw the flute away; it was a sort of process.'"

Great tribute video from a djmixsound in 2009:


Electronic legend Florian Schneider Published on Jan 8, 2009 djmixsound

An nterview with Florian Schneider at SUPERBOOTH16 (previously posted here)


Some tributes from various artists in this BBC article, sent my way via Michael Hewel:

My dear Florian
Your Autobahn will never end..
Le Tour de France ne sera plus jamais le même..#FlorianSchneider #kraftwerk #Autobahn pic.twitter.com/07Oks7PV2j

— Jean-Michel Jarre (@jeanmicheljarre) May 6, 2020

We are absolutely devastated to learn that one of our heroes Florian Schneider has passed away. pic.twitter.com/Y2dnYfxkj8

— Orchestral Manoeuvres in the Dark (@OfficialOMD) May 6, 2020

Such an important influence upon so much of the music we know, from Bowie, to electronica, much of the 80s and beyond into modern techno and rap, Florian Schneider was forging a new Metropolis of music for us all to live in. RIP #FlorianSchneider #Kraftwerk pic.twitter.com/y2nXuAY66e

— Gary Kemp (@garyjkemp) May 6, 2020

Take a look back at posts featuring Florian Schneider here.

Update: a nice tribute from CatSynth and couple of tributes from Korg and Moog below:

Florian Schneider (1947-2020)

Published on May 6, 2020 CatSynth TV

"We look back at the life and legacy of Florian Schneider, who passed away today (May 6, 2020).

Schneider was a founding member of Kraftwerk and saw the group’s evolution from experimental rock in the early 1970s to the icons of electronic music that we know today. He began as an accomplished flutist, and many of the Kraftwerk’s early albums feature him on flute and electronics. He later moved to pure electronics including vocoders for the band’s most well known albums and their iconic stage performances.

We at CatSynth send our thoughts to his family, friends and collaborators."

We are absolutely gutted to hear about the passing of @kraftwerk Co-founder, Florian Schneider, due to cancer. He was 73 years old. Florian, while being a part of Kraftwerk, helped shape electronic music & its influence on many genres from synthpop to rock. pic.twitter.com/tSrmnOgMQl

— KORG USA (@KorgUSA) May 6, 2020

Florian Schneider will forever be an inspiration to the world of electronic music. His artistry has been influential to creatives for the last 50 years. Today, we thank and honor him for helping to guide and shape our community through sound, imagination, and innovation. pic.twitter.com/wrq4nB4icz

— Moog Synthesizers (@moogmusicinc) May 6, 2020

Update:
Farewell Florian Schneider - Vintage Synth Lab tribute - The Model - Das Model
Novation Pays Tribute to Florian Schneider
MIKE303 'Tribute to Kraftwerk'
KRAFTWERK tribute to Florian Schneider 1947 - 2020

Concert of Containment, Sunday 12 April 2020, 16h

Published on Apr 13, 2020 RADIOKLOW

"This concert was given in a virtual room for an audience of Friends and Intimates, during the present containment against the covid 19 pandemic.

I wanted to gather some close Friends and Intimates for a moment of music performed on my favorite synthesiser and tibetan bowls, to share warmth and fraternity. Beyond this small group of persons, these improvisations are offered to everyone in this world, with the hope to bring all women and men peace and serenity. They are a travel to light.
A the beginning of them, I chant a mantra for healing : "Om Shree Dhanvantree Nahma".

With all my love and compassion for everyone

I dedicate this concert to my dear cousin Jean-Luc who has suffered from the bad virus and went to hospital but has now fully recovered. I will soon come back home and share again life with his wife !"

PPG's Wolfgang Palm to Retire - Brainworx Audio GmbH to Take Over Product Line

via http://www.wolfgangpalm.com

Important announcement

Dear Customer,

after 50 years of creative work in the field of sound synthesis I decided to stop doing business. I've been thinking about this step for some time now, especially since I've turned 70 this year. Therefore, I am very happy to have found a competent company in Brainworx Audio GmbH that will take over and continue my products and ideas.

I would like to thank you for the support I've received over the last six years. PPG VST plug-ins and iOS apps are no longer available for purchase. We will continue to provide downloads of your previous plugin purchases until end of 2020.

However, we do not recommend updating the hosts or the operating systems, as we cannot guarantee that our products will still run perfectly.

Customers of PPG plugins will receive a mail from SendOwl, which gives more infos on how to connect to Brainworx.

The future of the iOS apps has not been decided yet.

Thank you again for your support.
March 2020, Wolfgang Palm"

Update: and the official press release:

"Plugin Alliance announces acquisition of Wolfgang Palm’s prestigious PPG synthesizer brand by Brainworx Audio


“I am very glad to have found Brainworx and Plugin Alliance, who appreciate my work from the past and want to continue my legacy.”
- Wolfgang Palm, originator of wavetable synthesis and founder/owner of PPG, 2020


SANTA CRUZ, CA, USA: Plugin Alliance, supporting all major plugin formats and uniting some of the best- known international audio companies under one virtual roof, is proud to announce founding partner Brainworx Audio’s acquisition of the assets of Wolfgang Palm’s prestigious PPG synthesizer brand. The trailblazing Hamburg-based company founded by Wolfgang Palm first found fame and fortune in its initial incarnation throughout the Eighties and beyond by bringing the distinctive sound of wavetable synthesis to the musical masses and also impacting the MI industry with its innovative PPG Wave hybrid digital/ analogue synthesizer series and associated advances. These included the unique (unreleased) Realizer — quite possibly the world’s first virtual instrument (in 1986), albeit as a proprietary hardware hybrid! Software seriously came calling from 2012 onwards when Wolfgang Palm returned to prominence, producing new PPG products.

What a legacy. PPG synthesizers have musically made their mark onstage and in the studio with an array of notable artists such as a-Ha, Alphaville, David Bowie, Depeche Mode, Thomas Dolby, Frankie Goes To Hollywood, Jean-Michel Jarre, Mike & The Mechanics, Gary Numan, Pet Shop Boys, Rush, Talk Talk, Tangerine Dream, Tears For Fears, Ultravox, Stevie Wonder, and many more. Thanks to Brainworx Audio’s acquisition of the assets of Wolfgang Palm’s prestigious PPG synthesizer brand, that legacy is all set to thrive.

Plans are already afoot by Brainworx Audio to update Wolfgang Palm’s PPG products in close collaboration with the man himself, universally recognized as the originator of wavetable synthesis! Together they will take the PPG brand and advance its digital products into the future, following Wolfgang Palm’s planned retirement at the end of March 2020 — after 50 years in the creative field of sound synthesis! Signing an agreement with Plugin Alliance and Brainworx Audio owner Dirk Ulrich ultimately lets Wolfgang Palm put his (well- deserved) retirement plan into action, happy in the knowledge that his ‘baby’ will be in good hands.

Wolfgang Palm puts it this way: “I am very glad to have found Brainworx and Plugin Alliance, who appreciate my work from the past and want to continue my legacy. They have a great team of competent developers, product specialists, marketing, and all that is needed to make a company successful. I support their work to make the transition as smooth as possible, and it will be exciting to see how this evolves. Also, I think that this collaboration will result in a much wider audience than before.”

Indeed, it is a great honor for Brainworx Audio to be joining forces with Wolfgang Palm — truly a legend in his own right, and continue to break boundaries in the world of virtual instruments. “We are proud that Wolfgang Palm put his brand and product into our hands,” declares Dirk Ulrich, ending on a high note: “We will make sure to carry on his legacy with the respect it deserves and we are looking forward to evolving the brand and products for years to come.”


For more in-depth information about the trailblazing work of Wolfgang Palm and the prestigious PPG’s past, present, and future, feel free to check out Plugin Alliance’s interview with the man himself here."

Sequential In The Spotlight Interview with LEVINSKY

You can find the interview on Sequential's website here.

"Levinsky is the Finnish harbinger of distinctly cinematic and dark synthwave. His style is regarded as unique in the Finnish scene, gaining a steady and organic base around the world. His fans know that he always has something to say with his music and that his themes are always close to his heart. He also interacts closely with his fans and truly values their support.

He is inspired by classic horror, thriller, and sci-fi movies as well as literature and is an ardent fan of classic Italian “giallo” movies such as Dario Argento’s Tenebre and Suspiria. Musically, he draws a lot of inspiration from great classic artists such as Kate Bush (whom he reportedly worships), Jean Michel Jarre, John Carpenter, Goblin, and Vangelis, while holding dear a handpicked selection of modern day acts such as Perturbator, Carpenter Brut, Zombi, and Daft Punk. He doesn’t shun drawing influences and musical growth from outside the genre and experiments with his sound accordingly.

He’s just finished his first full-length album Electra Complex, a follow-up to 2018’s EP Method to the Madness (available at Levinsky’s Bandcamp page and all global streaming services) which has gained an underground cult status in addition to critical acclaim by a number of synthwave blogs and sites globally.

We chatted with Levinsky about how he’s using the Prophet-6 in his music."

---
You can find previous posts featuring Sequential's Spotlight series here.

RIP Jean-Jacques Perrey 1929-2016

The image to the left may be a little blurry, but it comes from the one time I actually got to see Jean-Jacques Perrey live with Dana Countryman, back in 2006. I took that photo. That was one of the rare times I could sum up an experience in one word: magical. Well maybe two: magical, and joyful. That may sound cliche to some, but it is 100% accurate, and I do have to say, with the absolute upmost respect, Jean-Jacques Perrey (and Dana Countryman) put on one of the funnest shows I've been too. The man brought absolute joy to life. When I was a kid I had no idea I was listening to his tunes while watching Disneland's Main Street Electrical parade! He was a pioneer of electronic music that brought humor and playfulness to his music throughout his career. I still remember his pet elephant (you'll need to go through numerous posts here on MATRIXSYNTH to find it. :) As you'll see his presence influenced many posts here on MATRIXSYNTH over the years. His main instrument was the Ondes Martenot.

Image credit: Mal Meehan, in via Dana Countryman, who had the following to say (Update: you can find his full words here - do take the time to read it for a fascinating bit of synth history):

"My dear friend and mentor Jean Jacques Perrey passed away today, November 4th, 2016. His illness came on quickly, and he did not suffer long, for which I’m happy. I’m extremely sad that I’ll never see him again, but I have been playing some of his happiest music today, and it immediately cheered me up. I know that’s what he would want --- for everyone to be happy, and not to be sad."

He will be missed, but his music and memories will continue to bring joy to people for years to come. He brought so much joy to the world. Thank you Jean-Jacques Perrey!

Update: Dana Countryman wrote a longer piece on Jean-Jacques Perrey here. Do take the time to read it. From that piece:

"For those who don’t realize it, Jean-Jacques rst started recording electronic music in 1952, long before the Moog synthesizer was rst made for sale in 1967. Relocating from Paris to New York City, JJ actu- ally owned and recorded with the second Moog ever produced, and with his musical partner Gershon Kingsley, they released their rst Moog album -- almost two years before Wendy Carlos released her rst Moog album. Jean-Jacques was truly the pioneer of popular electronic music.

His crazy, happy music has been heard everywhere from commercials, to Sesame Street - in hip-hop songs, in dance remixes and most famously, for decades in the delightful featured music in Disneyland’s 'Main Street Electrical Parade'. In recent years, his music has even made appearances on the Simpsons, and on Comedy Central’s 'South Park'."

Update2: one more sent my way via @bronwenjones:

Jean-Jacques Perrey & Dana Countryman - Funky Little Spacegirl - Music Video

Uploaded on Jan 19, 2009 mee3d

"View a High quality version here - www.funkylittlespacegirl.com

Celebrating 80 years of Jean-Jacques Perrey's Legendary Happy Electropop Music here is the Music Video for "Funky Little Spacegirl", released from the new album with Dana Countryman 'Destination Space'. Available on Oglio Records. Music Video Created by Mal Meehan from mee3d"

Takla Makan - Y Garreg Wen

YouTube via bellerob | February 02, 2011 |
Tony Allgood of Oakley Sound
"Takla Makan is the artist name of Tony Allgood.
Tony has been producing music for three decades. His main influences are Jean Michel Jarre, Mike Oldfield and Tangerine Dream. However, over the years inspiration has come from many sources including the late 80s rave scene, classical works and film soundtracks. This mix and match of musical genres has come together in a style that is distinctly Tony's and won him considerable acclaim from listeners and EM critics all over the world.
He has produced five albums and the last four are available as CD-Rs from the artist's website. For a long time Takla Makan had problems finding a home on a commercial label. Many have been approached but the difficulty in tying his music down to a particular genre has scared all too many of them. Even so, Tony has been selling CD-Rs direct to the public for many years. Nowadays his music is alo available through synthmusic direct.
"Y garreg wen"is from Tony's brilliant album "1632". ( 2003 )
http://www.oakleysound.com/music.htm
http://www.oakleysound.com/

Dafydd y Garreg Wen is a traditional Welsh air and folk song.
David Owen, the famous blind harper and composer, lived near Porthmadog in Caernarfonshire, Wales in the first half of the 18th century, who was known locally as Dafydd y Garreg Wen, (English: David of the White Rock). The epithet Y Garreg Wen (English: The White Rock) was the name of the farm near Morfa Bychan in which he lived.
Tradition has it that as Owen lay on his death bed, he called for his harp and composed the haunting air. He died at the age of 29 and was buried at St Cynhaearn's Church near Porthmadog.[1]
The words were added nearly a hundred years later in by the poet John Ceiriog Hughes.

lyrics in Welsh:
'Cariwch', medd Dafydd, 'fy nhelyn i mi,
Ceisiaf cyn marw roi tôn arni hi.
Codwch fy nwylo i gyraedd y tant;
Duw a'ch bendithio fy ngweddw a'm plant!'
'Neithiwr mi glywais lais angel fel hyn:
"Dafydd, tyrd adref, a chwarae trwy'r glyn!"
Delyn fy mebyd, ffarwel i dy dant!
Duw a'ch bendithio fy ngweddw a'm plant!'

English translation:
'Bring me my harp', was David's sad sigh,
'I would play one more tune before I die.
Help me, dear wife, put the hands to the strings,
I wish my loved ones the blessing God brings.'
'Last night an angel called with heaven's breath:
"David, play, and come through the gates of death!"
Farewell, faithful harp, farewell to your strings,
I wish my loved ones the blessing God brings.'"

Oxygene 13 cover

YouTube via albertspyker | September 12, 2010

"Jean Michel Jarre's Oxygene 13 cover played on Eminent 310 portable. Drums are made in Propellerhead Reason V4.
I dedicate this track to my dear friend Teja Krasek."

OLPC Sound Sample Archive

This one sent my way via Jacob. You can find more info on OLPC (One Laptop Per Child) here.

"Dear Colleagues, Students and Friends,

THANKS SO MUCH TO ALL OF YOU FOR YOUR WONDERFUL SOUNDS!!!!! (a few more things are still coming online

- but the OLPC Release is official....

Please share this news, press release and links with your students, your friends, your colleagues, your mailing lists and your newsgroups....

================

The Berklee College of Music, Berklee Music Synthesis Alumni, The International Csound Community, Open Path Music and Avid Technology have opened up their sound libraries to the children of the world - and YOU!!!

This 8.5 GB collection is donated under the Creative Commons Attribution License which means you can freely create, compose, mix, remix, share, distribute and redistribute these samples and use them for any purpose as long as you clearly attribute the source.

At last... free - thanks to all those who contributed.

Spread the word. Share the sounds.....

-doctorB

Here are the links:

http://wiki.laptop.org/go/Sound_samples

http://wiki.laptop.org/go/Talk:Sound_samples

Here's the *Official* OLPC Press Release:

http://csounds.com/OLPC_SoundSampleArchive.doc.zip

While you are checking out the links and downloading the samples, you might want to check out all the cool CsoundXO stuff that has been happening on the OLPC XO laptop:

Over these past two months the CsoundXO Developers - especially John ffitch, Victor Lazzarini, Andres Cabrera, Jacob Joaquin, Cesare Marilungo, and Greg Thompson have really pushed out some new and important tools and activities for the XO. Links to some of these are below.

A most important result of this development initiative is the fact that John and Victor got the CsoundXO subset of Csound5 to be FULLY SYNCHRONIZED and TOTALLY COMPATIBLE with the current release of Public Csound (and automated the process so that they will ALWAYS be in sync!) and Andres has a CsoundXO manual that is fully synchronized as well!!!!!

http://wiki.laptop.org/go/Csound

+ Links to the Csound Activities, the new RPM!, the developer tools

(by Victor), and the toots.

http://wiki.laptop.org/go/Csndsugui

+ Victor Lazzarini's AMAZING new GUI TOOLKIT for Csound Activity

Development on the XO

+ Victor has developed a wonderful small collection of tutorial

activities with sliders and buttons controlling CsoundXO

- waves - a simple additive synth

- synth - a subtractive synth with USB keyboard control

- playfiles - an 8 track remixer with record capability

- GMplayer - an iterface and instrument for loading and playing any GM file with Csound - using the Avid/M-Audio donated Sample Set

http://www.thumbuki.com/20080317/step-and-funny-talk-for-the-olpc.html

+ Jacob Joaquin's new Activities developed with Victor's Toolkit and

his blog and tutorials about the process.

* coming soon (within the next two weeks) by Greg Thompson

- CsoundEditor/Launcher - with virtual MIDI piano keyboard and CsoundXO manual integrations

+ including ALL the Boulanger Tutorials - TOOTS, Csound Book Chapter

1, Mastering Csound, Scanned Synthesis

+ including thousands of instruments and models from The Csound

Catalog plus dozens of compositions and MIDI instruments,

- CsoundRemixer - for jamming with the OLPCsound Sample Archive (and adding Csound FX instruments)

- GMPlayAlong - for playing general MIDI files with Csound and visualizing the tracks on the ascii keyboard, virtual piano keyboard and pianoroll

- PlayAlong Keyboard - for playing Csound Instruments from a USB and/or Virtual Keyboard: GMplayer, Sampler, SynthExplorer (all sorts of synths)

* coming soon (within the next two weeks) by Cesare Marilungo

- Image2Sound - for the sonification of pictures and drawings from the Journal and other OLPC Activities using his new image opcode collection.

http://wiki.laptop.org/go/Talk:CSound - some thoughts on Csound for press and others

Here are the links to the XO Bundled Sound Activities (including especially the Csound Masterpiece by Jean Piché and Company

- TamTam Mini, TamTam Jam, TamTam Edit, and the SynthLab)

http://wiki.laptop.org/go/Tamtam - all Csound - AMAZING - INTUITIVE - POWERFUL - and for Children!

http://wiki.laptop.org/go/Pippy (Some Csound)

http://wiki.laptop.org/go/Memorize (Some Csound)

http://wiki.laptop.org/go/Measure (Making the Csound connection now)

http://wiki.laptop.org/go/Record (capturing audio for Csound and Photos for Image2Csound conversion - thanks to Cesare Marilungo's new Opcodes!)

http://wiki.laptop.org/go/Draw (paint program which with Image2Csound and Cesare's opcodes - can now be transformed to audio.)"

Jean Michel Jarre [Oxygene] Covers Banned from YouTube

Update: see this new post for Jean Michel Jarre's official response.

No more JMJ cover videos on YouTube:

"Dear Member:
This is to notify you that we have removed or disabled access to the following material as a result of a third-party notification by FRANCIS DREYFUS MUSIC claiming that this material is infringing:
Oxygene 13 Jean Michel Jarre Cover: http://www.youtube.com/watch?v=u8CY0rKXank
Please Note: Repeat incidents of copyright infringement will result in the deletion of your account and all videos uploaded to that account. In order to prevent this from happening, please delete any videos to which you do not own the rights, and refrain from uploading additional videos that infringe on the copyrights of others. For more information about YouTube's copyright policy, please read the Copyright Tips guide."

Update: it might only be Oxygen covers? Note the following is speculation:
"The whole story seems to have something to do with a conflict between Dreyfus and Jarre regarding the copyright for Oxygene.

Also, as I've learned by reading the forums, it seems that Dreyfus doesn't actually own the rights for public performances. Only for the recordings.

I don't see Mr. Jarre complaining... "

Why am I posting this here? Well a lot of the better videos showcasing what particular synths are capable have been with JMJ covers.

Radiohead Broadcasts on New Years Eve

via DEAD AIR SPACE:

"Dear Reader

Hope you are having a peaceful christmas.

As you may now have heard we will be broadcasting a pre-recording of some songs and other bits on New Years Eve.. you will be able to view it online from here at midnight new years eve, uk time that is...

radiohead.tv

as well as other places that i am not sure about. this is a wee celebration of the release of the physical manifestation of 'in rainbows'.

yours hopefully
Thom"

Picutured: Johnny Greenwood and his Analog Systems French Connection and Modular. The French Connection is based on the Ondes Martenot.


Recuerdos de la Alhambra played on a French Connection

The above features the French Connection by Stretta (previously posted)

"After watching the Jean Laurendeau Ondes Martenot video on youtube, I was inspired to seek out an Analogue Systems French Connection controller. It so happens that I came across a used unit, so I jumped on it. I received it two days ago and I was eager (perhaps too eager) to contribute a demo of my new toy to youtube. Yes, my intonation is questionable. My apologies.

All the music was generated exclusively with a (primarily Doepfer) modular synthesizer, one monophonic line at a time. This exercise is somewhat of a test balloon for a long form modular project I'm currently sketching out.

Correction: the original piece is Recuerdos de la Alhambra by Francisco Tárrega"